Friday, March 5, 2021

SPORTS: Allen Iverson on the Legendary 2001 NBA All-Star Game and His Reebok Question Mid “Why Not Us?”

allen iverson reebok question mid why not us black footwear white GX5260 2001 nba all star game mvp interview conversation official release date info photos price store list buying guideTo any basketball-loving kid growing up in the late ‘90s and early ‘00s — this editor included — there was nobody more influential than Allen Iverson. Though the man known as The Answer took the court at a diminutive six feet tall, he did so with an iconic on-court getup consisting of an arm sleeve, headband, baggy shorts and his signature Reebok sneakers, plus an effortless swagger that belied his lion-sized heart. You knew you couldn’t be as hulking and powerful as Shaquille O’Neal or leap as effortlessly as Vince Carter, but you thought maybe, just maybe, if you played hard enough you could be AI. In short, Iverson embodied the zeitgeist of basketball around the turn of the century. He was the player who fully brought the game into the hip-hop era.

Of course, anyone assuming they could jacknife to the hoop or display a killer crossover like Iverson’s was fooling themselves, no matter how carefully they may have replicated his personal style. Over the course of his 14 year-long NBA career, Iverson had many memorable moments: dueling with the Los Angeles Lakers in the 2001 NBA Finalswinning the 2001 NBA MVP award, and embarrassing opponents from Michael Jordan to Antonio Daniels with his killer crossover. However, one of Iverson’s most notable moments was the 2001 All Star Game in Washington, DC.

Leading an undersized Eastern Conference team, Iverson put on a 15-point scoring outburst in the fourth quarter that brought his squad back from a 21-point deficit and secured him the game’s MVP award. And things were different back then. Though the All-Star Game certainly wasn’t without its pageantry around the turn of the century, it wasn’t the light-hearted, fun-filled dunkfest it is today either. “Back then, when all these bad dudes got together on the same court once a year, you had a lot of ego and competition coming together,” says Iverson now. “[This] drove the energy and made [the game] real competitive. Today, you can have a relationship with your rivals over social media and really be in touch all year round, so it’s way less confrontational when you all finally get together.”

“We had a lot of guys on that team with an underdog mentality. So on that stage, in that highly competitive environment, it’s a recipe for vengeance, you know?”

With competitive sparks flying, Iverson’s Eastern Conference All-Stars refused to be embarrassed, no matter how heavily the Western Conference squad was favored before the game. Their comeback was ignited by Iverson’s famous sideline quip, namely asking teammates like Tracy McGrady and the aforementioned Carter a simple question: why not us? “We had a lot of guys on that team with an underdog mentality,” says Iverson. “So on that stage, in that highly competitive environment, it’s a recipe for vengeance, you know? We ALL started asking each other ‘why not us?’ and that energy carried onto the court.” 

The East’s furious comeback quickly became a part of NBA All-Star lore, and so did the shoes Iverson had on his feet: a white and black PE iteration of his Reebok Question Mid. Though Iverson was on his fifth signature Reebok shoe — the Answer IV — by the time of the game, he was happy to hit the court in his first, favorite and most famous silhouette. “I had just gotten the pair a few days earlier and was really feeling them,” he recalls. “And the Question is All-Star game worthy, you know?”

Iverson’s signature line with Reebok runs fifteen models deep: the Question released in 1996 and was followed by a whopping 14 Answer silhouettes. However, when asked if he has a favorite style from his line or if that’s akin to choosing a favorite child, the NBA Hall of Famer doesn’t hesitate. “The Question will always be the one,” he says with an audible smile in his voice. “It’s my first signature shoe and that means so much. It really was a dream come true for me to get my own sneaker — especially back [in 1996] when only a few players had one. Having your own shoe means you’re special, and for it to happen to me? That validation was a beautiful thing.”

The Answer’s affection for his first signature sneaker is understandable. It sits in a rarified space among signature basketball sneakers, achieving a level of fame typically only afforded to Michael Jordan and Kobe Bryant‘s footwear. With its contrasting toe cap, clever Reebok eyelet branding, Question heel hit and signature dual-pod DMX cushioning setup, the Scott Hewett-designed silhouette is a standout piece of ‘90s basketball footwear, one that’s still loved both on and off the court today. 

This balance between performance and lifestyle wear is a near-impossible tightrope to walk — frankly, one that several modern-day signature basketball shoes fail to achieve. It provides quite a conundrum for footwear designers: how do you make a shoe that meets the performance standards of an elite athlete, but still looks good enough that a weekend warrior would want to wear it for a stroll down the street? As you could imagine, this combination of looks and performance was very important to Iverson, a player who was known for his singular style both on and off the NBA hardwood. “I loved the way the Question stood out with the different color toe cap. I think that’s one of the reasons it’s remained so recognizable today,” he says when asked about his favorite design feature.

“If I’m being honest, shoes in my era were much better looking.”

Of course, basketball footwear’s technical evolution has been something to behold in the quarter century since the Question’s debut. Leather has been swapped out for space-age synthetics and meshes while cushioning systems have been tweaked to deliver more responsiveness, explosiveness and every other “-ness” buzzword you can think of. Iverson sees these performance upgrades for what they are, but believes a certain something is lacking. “Today, basketball shoes are light as hell but still much stronger,” he acknowledges. Then, in a classic unfiltered AI moment, he takes things a step further: “If I’m being honest, shoes in my era were much better looking. OG styles like the Questions, Answers the Pumps? Those are something else.” 

If you’re looking to relive hoops history, you can expect the Reebok Question Mid “Why Not Us?” to release via the Reebok webstore and retailers like Foot Locker on March 19, retailing for $140 USD.

Location
 
Select Vintage

ART:

Possible 'Banksy' Artwork Reading Prison Wall Appearance Oscar Wilde The Ballad of Reading Gaol street art Gaol UPDATE (3/5/21, 1:39 p.m. EST): Banksy recently took to Instagram to confirm that he is indeed the artist behind the stenciled artwork featuring an escaped prisoner located on the walls of HM Prison Reading in Berkshire, South East England. The social media post features a three-minute video entitled “Create Escape” of the process with the artist executing the work with the utmost precision in total darkness. The elusive British artist also honored Bob Ross by including a snippet of the late painter’s a Joy of Painting episode at the beginning of the clip — a witty edit coupled with an extended voiceover from Ross to juxtapose the artist’s night out of street art vandalism. 

All Banksy pieces come with a message or homage. For this work, the artist celebrates Oscar Wilde who served two years as an inmate at the HM Prison from 1895-1897. A clear visual nod to the late author in the work is the long strand of paper that emerges from a typewriter instead of the familiar bedsheets which prisoners have used to climb out of a window to escape from jail. Check out the “Create Escape” video by Banksy below.


A potential new work of art from Banksy has just been discovered. Done in the elusive artist’s stencil style, the piece was found on the side of Reading Prison.

ORIGINAL STORY (3/2/21, 6:56 a.m. EST): Many that gathered around the piece strongly believe it to be one of Banksy’s newest works as a bit of social commentary on what is currently happening with regards to freedom of speech on social media platforms. Others believe that this artwork was meant to shine a light on the historic value of the derelict prison. This is the same jail that once housed Oscar Wilde, and inspired The Ballad of Reading Gaol which he wrote when he was released in 1897. The prison has been vacant since 2013 and was put up for sale by the government in 2019 with hopes of eventually turning it into an art and cultural center.

The art sees a man climbing down the jail’s brick wall via tied bedsheets that form the paper in a typewriter. Banksy expert Prof Paul Gough commented that there is evidence that it could be Banksy, and that, “at the moment it would take a good copier to get that right.” Meaning if it was a fake, the copier has done their homework.

Though not confirmed, do check back as we will be updating you if/once Banksy confirms this as one of his on his Instagram account.

james jean slingshot nft artwork foundation digital painting

The crypto art market continues to garner attention from artists the world over with prices for digital artworks breaking new records at legacy auction houses such as Beeple’s Christie’s sale. The next artist to foray into the NFT space is James Jeanwho is minting his famed Slingshot digital painting — the artist’s first-ever NFT collectible. The artwork portrays a boy brandishing a slingshot and was created by Jean back in 2015 as part of a series of sculpture editions. “This initial digital painting created in 2015 spawned a series of sculpture editions which are highly coveted now, and no other physical equivalent of this digital painting exists,” said the artist to HYPEBEAST.

In regards to the artwork, Jean expressed: “The boy wields a slingshot, but instead of a pebble, he uses his own eye as a projectile. Though the boy may ostensibly reference the story of David and Goliath and Hammurabi’s code of reciprocity, “an eye for an eye”, he is also a representation of my creative struggles, as the target of my ambitions requires an element of self-sacrifice and mutilation.”

Slingshot is being auctioned off now on the Foundation mobile app with a current bid of 17.69 ETH which is equivalent to $26,806 USD dollars. The auction will end this March 5. Check out the digital painting above and let us know your thoughts. Elsewhere in the NFT space, Robin Velghe, the designer and animator behind the popular Instagram account @Rhymezlikedimez, has recently released a selection of crypto animations featuring his bold illustrations set against hip hop music.


FASHION: HAILEE STEINFELD X FRANKIES BIKINIS UNVEIL '70S-INSPIRED SWIMWEAR AND APPAREL COLLECTION

hailee steinfeld frankies bikinis swimwear apparel collaborationhailee steinfeld frankies bikinis swimwear apparel collaboration pinkhailee steinfeld frankies bikinis swimwear apparel collaboration skirt cover bucket hathailee steinfeld frankies bikinis swimwear apparel collaborationhailee steinfeld frankies bikinis swimwear apparel collaboration bucket hathailee steinfeld frankies bikinis swimwear apparel collaborationhailee steinfeld frankies bikinis swimwear apparel collaborationhailee steinfeld frankies bikinis swimwear apparel collaborationhailee steinfeld frankies bikinis swimwear apparel collaboration pinkhailee steinfeld frankies bikinis swimwear apparel collaboration shortshailee steinfeld frankies bikinis swimwear apparel collaboration shortshailee steinfeld frankies bikinis swimwear apparel collaborationhailee steinfeld frankies bikinis apparel collaboration long sleeve top skirt pinkhailee steinfeld frankies bikinis swimwear apparel collaborationFrankies Bikinis and Hailee Steinfeld have joined forces on a collaborative swimwear and apparel collection. Influenced by ’70s vintage prints, the garments feature bright colors, groovy patterns and floral prints.

“Fashion has always been an integral part of my life and for as long as I can remember, I have also had a passion for design,” said Steinfeld in a press release. “Inspired by ’70s vintage fashion and my California roots, the collection we created not only feels authentic to my own personal style, but offers a little bit of something for everyone.”

Showcasing the Oscar-nominated actress and multi-platinum recording artist’s unique style, the first drop of the collection includes the fashion label’s signature skimpy string bikini, as well as cheeky and full coverage bottoms. Accompanying the swimwear items are a chiffon halter dress, button-down shirts and shorts. Keeping Frankies Bikinis’ sustainability efforts in mind, the chiffon pieces are made from 100 percent viscose, which is crafted from natural sources of cellulose.

The second drop consists of more swimwear and apparel options along with accessories like head scarfs, a straw bucket hat and the brand’s first-ever eco-friendly straw bag. Terry cloth silhouettes – including the midi tube dress, open back cropped polo, mini skirt, bucket hat, shirt and shorts set, and cardigan – are graced with a bright pink “Flowerchild” pattern.

Take a look at the campaign in the gallery above. The first drop of Hailee Steinfeld x Frankies Bikinis’ collection will launch on March 9 online, while the second installment will be available on March 22.


FASHION: HOOD BY AIR RECRUITS NAOMI CAMPBELL FOR FIRST CAMPAIGN SINCE RELAUNCH

Hood By Air Naomi Campbell Campaign Prologue CollectionHood By Air Naomi Campbell Campaign Prologue CollectionHood By Air Naomi Campbell Campaign Prologue CollectionHood By Air Naomi Campbell Campaign Prologue CollectionHood By Air Naomi Campbell Campaign Prologue CollectionHood By Air Naomi Campbell Campaign Prologue CollectionHood By Air Naomi Campbell Campaign Prologue CollectionHood By Air Naomi Campbell Campaign Prologue CollectionHood By Air, the avant-garde streetwear brand that announced its return from hiatus in July 2020, has released its first ready-to-wear campaign since reentering the scene. Shot by Luis Alberto Rodriguez, the black-and-white images reveal Hood By Air’s first full-fledged collection, titled “THE PROLOGUE,” since relaunch. According to a press release, the range “acts as a pre-collection to the brands official return.”

HBA founder Shayne Oliver tapped Naomi Campbell to front the new campaign, a choice inspired by Oliver’s continued exploration of strong Black female figures. “Her laughing and her looks just reminds us of the mother figures in our lives and how they interact with us in a loving but stern way,” the designer told The New York Times. Staying true to the label’s hard-edged, gender-fluid aesthetic, the new collection features armor-like pieces with removable components — a pair of leather pants is constructed with oversized, zippered pockets akin to detachable pouches and a cropped bomber jacket is made with elongated, tapered sleeves that snap together like a straightjacket.

Take a look at Hood By Air’s new campaign above.