Former pastor Ma$e hasn’t released a record in awhile, but in his return, he has delivered a scathing diss track towards Cam’rom, hot off the heels of his mixtape drop and reunion with Dipset. The former Children of the Corn members have been going at it for years, with Cam’ron continuing the ongoing feud on the first track of his newest mixtape The Program, which reveals Ma$e in an alleged sticky situation with a woman and her boyfriend.
Today, Ma$e let out about a decade’s worth of dirty laundry all over the four-minute diss track, touching on topics spanning from Cam’s penchant for pink, his beef ducking with 50 Cent, alleged snitching, bizarre family relationships, and his raw dealings between Dipset co-founders Jim Jones and Juelz Santana. Spat over JAY-Z‘s “Blueprint 2,” of which alludes to Cam’s unsettled beef with the man during their Rockafella days, Ma$e even took to Genius to give some further backstory to the lines in his diss record.
It appears Cam’Ron has heard the track, as he’s responded via Instagram with a post of his own. Check out the track and post below and share your thoughts in the comments.
Taken from CTRL‘s roster of tracks, the TDE star reworks “Go Gina” by singing an acoustic version with simple the bass guitar for accompaniment. The video, which takes place in an ethereal-looking woodland, is part of Vevo’s new LIFT series and sees the “What Lovers Do” artist deliver a fierce rendition of the track.
You can watch SZA’s stunningly raw performance in the video above. In other TDE-related news, Kendrick Lamar covers Variety’s inaugural Hitmakers issue.
//Music
The last month or so has been a busy time for Kodak Black, seeing him deliver a collaborative Halloween mixtape with Plies, drop a politically charged track with Chicago’s Dreezy, and now release another new song with accompanying visuals.
The new song, titled “201519971800’, sees the Florida rapper remix the Drake and Beyoncé track “Can I” and while the collaborative effort was never officially released, Young Kodak decides to put the beat to good use. The visuals find the rapper spitting bars to a scantily clad female on a dark and stormy night — you can watch the video above.
In other music news, Beyonce has been ranked the highest-paid woman in music.
Beyoncé is now the highest-paid woman in music for 2017 according to Forbes. The annual Forbes list was announced on Monday and saw the “Lemonade” songstress edging out pop-star Taylor Swift and esteemed British singer Adele. In 2017, the iconic R&B singer earned upwards of $105 million USD from her ‘Formation’ tour and record sales according to reports. In addition, Beyonce also saw success from her new activewear brand, Ivy Park and several other business interests.
The Forbes list was populated by estimating a musician’s pretax income for the 12 months from June 2016 to 2017 based on several interviews with agents, lawyers, managers and other fellow musicians. The list also pulled data from the Recording Industry Association of America, Pollstar, and Nielsen SoundScan.
Check out the full list below courtesy of Forbes.
The new song, titled “201519971800’, sees the Florida rapper remix the Drake and Beyoncé track “Can I” and while the collaborative effort was never officially released, Young Kodak decides to put the beat to good use. The visuals find the rapper spitting bars to a scantily clad female on a dark and stormy night — you can watch the video above.
In other music news, Beyonce has been ranked the highest-paid woman in music.
Beyoncé is now the highest-paid woman in music for 2017 according to Forbes. The annual Forbes list was announced on Monday and saw the “Lemonade” songstress edging out pop-star Taylor Swift and esteemed British singer Adele. In 2017, the iconic R&B singer earned upwards of $105 million USD from her ‘Formation’ tour and record sales according to reports. In addition, Beyonce also saw success from her new activewear brand, Ivy Park and several other business interests.
The Forbes list was populated by estimating a musician’s pretax income for the 12 months from June 2016 to 2017 based on several interviews with agents, lawyers, managers and other fellow musicians. The list also pulled data from the Recording Industry Association of America, Pollstar, and Nielsen SoundScan.
Check out the full list below courtesy of Forbes.
1. Beyoncé – $105 Million
2. Adele – $69 Million
3. Taylor Swift – $44 Million
4. Celine Dion – $42 Million
5. Jennifer Lopez- $38 Million
6. Dolly Parton – $37 Million
7. Rihanna $36 Million
8. Britney Spears $34 Million
9. Katy Pery $33 Million
10. Barbra Streisand $30 Million
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