Saturday, December 16, 2017

GLOBAL ART

Ron Mueck Mass National Gallery of Victoria Triennial
Ron Mueck Mass National Gallery of Victoria Triennial
Ron Mueck Mass National Gallery of Victoria Triennial
Ron Mueck Mass National Gallery of Victoria Triennial
Ron Mueck Mass National Gallery of Victoria Triennial
Ron Mueck Mass National Gallery of Victoria Triennial
Ron Mueck has created his largest installation titled Mass for National Gallery of Victoria’s first Triennial this December. The site-specific piece is comprised of 100 human-like skulls scattered and piled up inside a gallery room. “Mass intrudes into the 18th Century Galleries like a glacier inching across a landscape, crowding out the powdered, bewigged lords and ladies, a reminder of all our fates,” said Mueck to the Sydney Morning Herald. The Australian sculptor has garnered worldwide acclaim for his hyperrealistic artwork depicting humans in different periods of their lives.

Mass at the National Gallery of Victoria Triennial is currently open to the public up until April 18, 2018.

National Gallery of Victoria
180 St Kilda Rd
Melbourne, VIC 3006
Sigalit Landau Dead Sea Salt Sculptures Baptism Art Salt Years Book
Sigalit Landau Dead Sea Salt Sculptures Baptism Art Salt Years Book
Sigalit Landau Dead Sea Salt Sculptures Baptism Art Salt Years Book
Sigalit Landau Dead Sea Salt Sculptures Baptism Art Salt Years Book
Sigalit Landau Dead Sea Salt Sculptures Baptism Art Salt Years Book
For the past 15 years, Israeli artist Sigalit Landau has taken to the Dead Sea to create her fascinating sculptures heavily covered in salt. Landau’s process includes submerging everyday objects such as shoes, coats, and even bicycles into the body of water. Salt will crystallize around the submerged objects over a long period of time, appearing as if they belong “to a different time system, a different logic, or another planet yet their transformation unveils the divine and the eternal in nature,” Landau expressed in a statement.
In regards to working with salt, Landau said, “The years of working with the heavy liquid solution of the Dead Sea are connected not only to my personal and physical memories but also to long gone memories of landscapes covered with snow and to a process of mourning; seeking to heal and to repair something through this dialogue with nature.” Having added, “Frozen, yet conceived by the desert sun and fiery-waters, the sculptures are for me like personal archeological testimonies crystallized and immortalized.”
Landau has documented her sculptures in a new book titled Salt Years. The 288-page tome is available for pre-order at Landau’s official website.
Sigalit Landau Dead Sea Salt Sculptures Baptism Art Salt Years Book






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